people » Antoinette Sibley

Dame Antoinette Sibley as the Bride in Kenneth Macmillan's Le Baiser de la fée photograph by Roy Round courtesey of Tobias Round

Antoinette Sibley (1939-). British ballerina, coach and president of the Royal Academy of Dance

Antoinette Sibley was born in Bromley, Kent, in 1939. She trained at the Arts Educational School in Chiswick for five years before joining the Sadler’s Wells Ballet School in 1949. In 1956 she joined The Royal Ballet, initially undertaking small roles. She was coached by Tamara Karsavina in 1959, and danced her first Odette/Odile in Swan Lake, partnered by Michael Somes, who would later become her first husband. In 1960, Sibley became a principal dancer, and the following year appeared as Princess Aurora in The Sleeping Beauty, a role with which she was particularly associated.

1964 saw a pivotal moment in Sibley’s career: the creation of the role of Titania in Frederick Ashton’s Dream, and the beginning of her celebrated partnership with Anthony Dowell, one of the greatest in the history of The Royal Ballet, which lasted for nearly a quarter of a century. During her career with The Royal Ballet, Sibley danced many principal roles in the classical and dramatic repertoires. Among the outstanding roles created on her include Dorabella in Ashton’s Enigma Variations, and Manon in Kenneth MacMillan’s Manon.

Antoinette Sibley retired from The Royal Ballet in 1979, but returned to the stage in 1981, continuing until 1988 when injury forced her finally to stop dancing. She became president of the Royal Academy of Dance in 1991, and worked for The Royal Ballet as a guest coach. Antoinette Sibley was appointed CBE for services to dance in 1973, and DBE in 1996.

Antoinette Sibley talks with Alastair Macaulay. Her wonderful mix of enthusiasm, appreciation and practicality typify the glorious mercurial talent that has beguiled a generation of dancers and...

Read More

On 31 December, 1920, Philip JS Richardson and Edouard Espinosa established The Association of Operatic Dancing of Great Britain, which would later become the Royal Academy of Dancing (RAD) in 1936...

Read More

The Cone Sisters School of Dancing was founded in 1919 by Gracie, Valli and Lily Cone. In 1944, the school integrated with the Ripman School, an organisation established by Olive Ripman in 1922. The...

Read More

In 1964, with the 400th anniversary of Shakespeare’s birth as a stimulus, Frederick Ashton created a one-act ballet based on A Midsummer Night’s Dream. In it he visualised, succinctly and...

Read More

Enigma Variations was choreographed by Frederick Ashton to Edward Elgar’s music in designs by Julia Trevelyan Oman. It was first performed by The Royal Ballet at Covent Garden in 1968. Elgar...

Read More

Dances at a Gathering, which had been created for New York City Ballet in 1969, represented the first work by Jerome Robbins to enter The Royal Ballet’s repertoire. Danced to music by Frédéric...

Read More

The eponymous heroine of Kenneth MacMillan’s 1974 Manon has become a role that nearly all aspiring ballerinas long to dance. Though there was initial criticism of the seemingly one-dimensional...

Read More

Inspired by a recording of Henri Duparc’s music sung by Janet Baker, Michael Corder’s L’Invitation au Voyage could be said to follow the journey through the singer’s emotional life. First...

Read More