people » Moira Shearer

MAM'ZELLE ANGOT ; John Hart (as A Government Official), Margot Fonteyn (as Mam'zelle Angot), Michael Somes (as The Caricaturist) and Moira Shearer (as The Aristocrat) ; Sadler's Wells Ballet ; At the Royal Opera House, Covent Garden, London, UK ; November 1947 ; Credit : Frank Sharman / Royal Opera House / ArenaPAL ;

Moira Shearer (1926–2006). British ballerina and actress

Moira Shearer was born in Dunfermline, Scotland in 1926. From 1931 to 1936 she lived in what was Northern Rhodesia, where she began her ballet training. She then studied under Flora Fairbairn and at the Legat School. In 1940, she went to Sadler’s Wells Ballet School, but it was with International Ballet that she made her professional debut in 1941. In 1942 she returned to the Sadler’s Wells School and also joined the company in the same year. In 1943 she created the role of Pride in Frederick Ashton’s The Quest and became a leading dancer in 1944. While with Sadler’s Wells Ballet, Shearer was one of the originals dancers Ashton’s Symphonic Variations and also created the title role in his Cinderella. Shearer was also noted for her performance in George Balanchine’s Ballet Imperial.

Much admired as a ballerina, dancing all the main roles, it was, however, as Victoria Page in the Powell and Pressburger film The Red Shoes that Shearer became internationally famous. She also appeared in the film The Tales of Hoffmann in 1951, which again drew on her balletic magic. She stepped down from Sadler’s Wells Ballet in 1952 to devote herself to acting on stage and in films, and also for occasional writing and lecturing. She did, though, return briefly to dance in 1987, as the mother in Gillian Lynne’s A Simple Man for BBC Television in 1987. Moira Shearer married the writer and television journalist Ludovic Kennedy in 1950, and she died in Oxford in 2006.

Frederick Ashton’s Symphonic Variations was something of a blueprint for British ballet after the narrative-heavy works of the war years. It remains a touchstone for the lyrical and musical...

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Danced by Sadler’s Wells Ballet in 1948 to music by Serge Prokofiev in designs by Jean-Denis Malclès, Cinderella was the first full-evening ballet made by a British choreographer. It shows...

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Originally created for American Ballet Caravan, George Balanchine’s Ballet Imperial was performed by Sadler’s Wells Ballet for the first time at the Royal Opera House in 1950. Danced to Pyotr...

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Commissioned by the City of Salford as part of its celebration of the artist L.S. Lowry, A Simple Man follows the painter’s search for subjects, and his relationships with his mother and the...

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Fashion and ballet have a symbiotic relationship, each drawing on the other. Twice a year, fashion designers must cast around for hot influences. These might come from anywhere but time and again,...

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