people » Glen Tetley

Christopher Bruce as Pierrot in Glen Tetley's Pierrot Lunaire, Ballet Rambert, 1967 © Anthony Crickmay / Victoria and Albert Museum, London.

Glen Tetley (1926–2007). American-born dancer, choreographer and director
Born in Cleveland, Ohio, in 1926, Glen Tetley was studying at medical school when a passion and desire to dance took him to New York in 1946. He studied variously with Hanya Holm, Margaret Craske, Antony Tudor and Martha Graham, but it was Holm who gave him his first big break in her Broadway production of Kiss Me, Kate. From there he joined New York City Opera Ballet, followed by John Butler’s American Dance Theatre, Joffrey Ballet (where he was an original member), American Ballet Theatre and Jerome Robbins’ Ballet:USA. With all this experience of varied dance styles, Tetley formed a fusion between modern and classical approaches to movement and the portrayal of themes dear to his heart.

Tetley burst onto the international scene in 1962 with his ballet Pierrot Lunaire to music by Arnold Schoenberg. There was no looking back. He moved to Europe, first to direct Nederlands Dans Theater and then Stuttgart Ballet. In 1986 he went to National Ballet of Canada for three years. After that he worked around the world creating and revising. His work with Ballet Rambert has remained a vibrant part of the company’s history, and his surviving works are recognised for their extraordinary and respectful synthesis of the modern and the classical.

Norman Morrice was born in Mexico in 1931. He studied at Marie Rambert’s school and joined Ballet Rambert in 1953, becoming a principal dancer. In 1962, Morrice travelled to the United States of...

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One of Glen Tetley’s earliest works, Pierrot Lunaire, danced to music by Arnold Schoenberg, brought him immediate recognition. An attempt at fusing classical and contemporary dance forms, he...

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Inspired by the concentrated tranquility of Chinese T’ai-chi, Glen Tetley’s Embrace Tiger and Return to Mountain indicated the continuing re-focusing of Ballet Rambert’s repertoire towards the...

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Glen Tetley’s Field Figures, a world premiere for The Royal Ballet New Group in 1970, signalled a radical shift in repertoire for the newly renamed and re-formed company towards contemporary dance;...

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