The ballet writer Gerald Dowler is joined in a special episode of Voices of British Ballet by Monica Mason (former Royal Ballet student, principal dancer and director), Jane Pritchard (curator…
The ballet writer Gerald Dowler is joined in a special episode of Voices of British Ballet by Monica Mason (former Royal Ballet student, principal dancer and director), Jane Pritchard (curator…
This interview with Violette Verdy is introduced by the dance critic and historian Alastair Macaulay. Violette Verdy’s laughter and intelligence shine through in this discussion with Clement Crisp. She explains…
David Wall was one of the greatest male dancers of his era, with an extraordinary stage charisma, range, theatricality and honesty. In this interview he talks to Frank Freeman, a…
Joan Seaman gives us a wonderful bird’s eye view of VE Day, which she spent seeing Sadler’s Wells Ballet stars Margot Fonteyn and Robert Helpmann dance Coppélia, and her interview…
This self-effacing, straightforward man with a twinkle in his eye is known for his compositions for many TV dramas in the 1960s and 70s, including Doctor Who. Perhaps surprisingly, this…
Adeline Genée (1878-1970) was a Danish ballerina and founder-president of the Royal Academy of Dance. At the age of three she started taking dancing lessons from her uncle Alexander Genée…
A man of the theatre through and through, in this conversation Peter Wright shows us that fulfilling one’s destiny can be fraught with difficulties and that the path is not…
Here Barbara Fewster tells us about working at The Royal Ballet School. Her voice has a mixture of authority and kindness which will be remembered by literally thousands of students…
You can hear in her voice how much Lucette Aldous appreciated and revelled in every step of her way from Ballet Rambert to Festival Ballet and The Royal Ballet. With…
This ‘voice’ of British Ballet is that of Pamela May. She was born in 1917 and after retiring as a ballerina with The Royal Ballet became the teacher par excellence…
Romayne Grigorova had a long, distinguished career in ballet and the theatre. Here, in conversation with Patricia Linton, founder and director of Voices of British Ballet, she focuses on her…
Jean Bedells talks about the 1930s as if it was yesterday. Full of detail and feats of memory, we are given an idea of the sense of foreboding that descended…
Anne Heaton’s career coincided with an upsurge in creative talent at the Sadler’s Wells Ballet. Observant and wide ranging she reflects on many things, not least the enigmatic choreographer, Andrée…
In March 1933, the company performed the first two acts of Coppelia, the ballet created by Arthur Saint-Léon, with Lydia Lopokova as Swanilda for the first two performances. Ninette de…
This gorgeous couple, infectiously happy and loving and warm, not surprisingly became special “voices” for British ballet. They were stars of The Royal Ballet at a remarkable point of that…
This interview is a reminder of how lucky we in Britain have been with our great choreographers – in this case Christopher Bruce. Talking to Deborah Weiss, dance writer, editor…
The Camargo Society was a subscription ballet club formed in 1930 to support and nurture British ballet. Set up by Philip J.S. Richardson, the editor of the Dancing Times, and…