ballets » Cinderella

Cinderella was the first full-evening ballet made by a British choreographer. It shows Ashton’s continuing synthesis of the classicism of Marius Petipa with his own particular use of épaulement and the torso. The title role was created by Moira Shearer but became associated with Margot Fonteyn (for whom it was intended). The ballet also featured the remarkable double-act of Frederick Ashton and Robert Helpmann as the Stepsisters, performances much emulated but never equalled. The choice of the recently-composed score by Prokofiev does much to counter the widely-held view that Ashton shied away from ‘modern’ music; it inspired him to provide a choreographic match to the music’s quirkiness. The first cast also included Pamela May and Michael Somes.

The ‘London Ballets wars’, as it was called, occurred during simultaneous seasons by two rival visiting ballet companies in the British capital. Starting in the summer, the Russian Ballet...

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Danced by Sadler’s Wells Ballet in 1948 to music by Serge Prokofiev in designs by Jean-Denis Malclès, Cinderella was the first full-evening ballet made by a British choreographer. It shows...

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Now a regular fixture in Britain’s dance calendar, English National Ballet staged its first in-the-round production at London’s Royal Albert Hall in 1997 with Derek Deane’s staging of Swan...

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In 2002, Scottish Ballet was searching for a new artistic director who would help revitalise the company. They appointed choreographer and former Royal Ballet principal Ashley Page, who remained in...

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